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But their courageous story has been lost to Cornell history - until now. Blizzards, bad roads, an "unsettled" country: the challenges facing the three Cornellians who sailed from New York for the eastern Mediterranean in 1907 were legion. But their fourteen months' campaign in the Ottoman Empire nevertheless resulted in photographs, pottery, and copies of numerous Hittite inscriptions, many newly discovered or previously thought to be illegible. It took three years before their study of those inscriptions appeared, and while its title page conveyed its academic interest, it tells us nothing of the passion and commitment that made it possible. The story of the men behind the study and their adventures abroad has been lost to Cornell history-until now. The organizer, John Robert Sitlington Sterrett, spent the late 1800s traveling from one end of Anatolia to the other, where he established a reputation as an expert on Greek inscriptions. In 1901 he became Professor of Greek at Cornell, where he instilled his own love of travel in his most promising students.

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As the expedition moved out of the Hittite heartlands, we begin to see in Wrench's fieldbooks the beginnings of a new interest in the medieval architecture of the Syriac-speaking Christian communities. The first drawing to appear in his notes is a hastily-sketched plan of the early medieval Deyrulzafaran, "the saffron monastery," located outside of Mardin. Underneath he has copied the Syriac inscription that he found above the door. A few days later and a few pages further, we find a drawing of the late antique church of Mar Yakub in Nusaybin. When, in the following year, Wrench made his way back to Istanbul, he took a long detour through the Tur Abdin, the heartland of Syriac monasticism. The expedition frequently visited American missionaries along their route, celebrating Christmas in Mardin with the local mission of the American Board in Turkey. But as they pressed on across the steppes that today form the far northeastern corner of Syria, the strains of six months' steady travel began to show.

For Sterrett, the expedition of 1907-08 was only the first step in an ambitious long-term plan for archaeological research in the Eastern Mediterranean. To launch his plan, Sterrett selected three recent Cornell alums. Their leader, Albert Ten Eyck Olmstead, already projects a serious, scholarly air in his yearbook photo of 1902, whose caption jokingly alludes to his freshman ambition "of teaching Armenian history to Professor Schmidt." In 1907, just before crossing to Europe, Olmstead received his Ph.D. Cornell with a dissertation on Assyrian history. Olmstead's two younger companions, Benson Charles and Jesse Wrench, were both members of the class of 1906. They had spent 1904-05 traveling in Syria and Palestine, where they rowed the Dead Sea and practiced making the "squeezes," replicas of inscriptions made by pounding wet paper onto the stone surface and letting it dry, that would form one the expedition's primary occupations. Olmstead, Wrench, and Charles made their separate ways to Athens, When you have virtually any queries with regards to in which along with tips on how to use hemen göz atın, you possibly can call us at the web-page. whence they sailed together for Istanbul.

It was early afternoon on November 6th, 1907, before Charles found a villager who could show him the site of the inscribed statue. It was the last night of Ramadan, and on the next morning the villagers celebrated with their guests. The expedition beat the worst of the snows and was in the lowlands of northern Mesopotamia by December. As they made their way to the regional center, Diyarbakır, they heard that the city was in revolt: the local worthies had occupied the telegraph office to protest the depredations enacted by a local chieftain. The travellers were a day's march behind the imperial troops who had been sent in to quell the rebellion, and who frequently left the roadside inns in a deplorable state. Wrench supplemented his notes on the "first Babylonian dynasty" with a clutch of pressed flowers. Drawing of the early medieval Deyrulzafaran, "the saffron monastery," located outside of Mardin.